Friday, August 30, 2024

2 Minutes. Go!

John woke up covered in sweat, ice-cold from the breeze coming through an open window. There was a brief (too brief) moment of confusion and loss. It was a comfortable empty space he could inhabit, but it never lasted long. The conscious brain would do what conscious brains do. John often woke up cursing the fact that he was sentient. Once the brain woke up, there was no stopping it. It would do as it desired.

There were reasons John woke up this way, but he was also stuck in a pattern. It was a pattern he didn’t know how to get out of, so he tried not to think about it. He just dealt with the side-effects and fallout. The fallout was often so ugly that it sent him right back into circling death. Like a vulture. 


John rolled out of bed. Literally. It was the way he always got up because it allowed him to maintain contact with the bed for a few more seconds. This postponed the misery that was making coffee, showering, trying to eat and failing. He would eventually go, like every day, to the office he couldn’t stand where he made just enough money not to qualify for food stamps. Except on Saturday and Sunday, when he started drinking as soon as his eyes opened.


Taxes were a bitch but he didn’t think about them. He tried not to think of his money as money. He thought of it as a buffer between him and the streets and, as long as he had enough of it, he didn’t concern himself too much about it. There were even days where a life on the streets seemed exciting, preferable to daily grind which paid his bills and kept his belly full of overly-sweet, processed foods. 


John figured there was cancer growing in him, some malignant force that was rotting him from the inside out. Sometimes, he thought of the microplastics that probably swirled around the cancerous cells. Sometimes, he was terrified. Sometimes, it made him laugh - how we traded inconvenience for cancer. And then cancer proved to be pretty damn inconvenient. 


The heart attack was something he worried about off and on, but never really expected. At first, he wrote off the pain in his chest as heartburn. The pain in his arm as having been slept on wrong. As the minutes passed, however, John realized that his heart was giving up. He was surprised that there was no panic. He had no desire to call for an ambulance. Instead, he made himself a drink and went back to bed. He would be fired, but it didn’t matter.


Firing don’t harm corpses much.


The sun rose because that is what the sun does. Birds sang. Busses ran. No one mourned the loss of John except the homeless man who took bottles out of his recycling. He was momentarily sad, and not just about the lost revenue. He knew that a man had lost his battle. There was peace in that, but also regret. Wasted life is like a rotten tomato dying on the vine, sickly green and bitter beneath the obnoxious brightness of its red skin.


24 comments:

  1. A sad reflection on loneliness, depression and giving up. This happens to so many people. He feels like he became invisible, and at the end we find that he did, almost. And the homeless man feels a connection with him cos he felt the same and dropped out. It's how we drop out. How we lose connection with the world and ourselves.
    I like the tone too, and the feel of the writing - different to the usual rhythm. This is slower, meandering and kind of detached, like the guy.

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    1. I agree with Vickie that this feels different from your usual style, a different tone. I love this understatement: "He would eventually go, like every day, to the office he couldn’t stand where he made just enough money not to qualify for food stamps." It has this Eleanor Rigby feel to it.

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    2. I agree. Definite Eleanor Rigby feel, and my soul ached for this guy. Much of it I could relate to.

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    3. JD here, I agree with Antrobus. I wish I could do this with words. My brain doesn’t work that way. I’m so glad yours does, and I agree that you’re just getting better and better.

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  2. Stowaway

    He did it for her sacred heart,
    kept it locked in a still warm box,
    sealed with a charm, not a kiss,
    considered it his.

    Rhythms beat into song,
    rise on the tides, sweep out to sea,
    whisper incantations on severed waves,
    things even the gulls cannot hear.

    An adventurer clipped back to land,
    she holds out her hands for the doves,
    the silken plumes of butterflies,
    tugs on her rusted anchor.

    We lose ourselves a little in the stars.

    One day he will prise open the box,
    free her spirit to seek out the dawn,
    when he can. When he knows
    he won’t feel lost in the silence.

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    1. Not trying to embarrass you, but I feel like you just get better and better at this poetry thing every time I read a new one!

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    2. So lovely. This line hit me: "We lose ourselves a little in the stars."

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    3. JD here, I agree with Antrobus. I wish I could do this with words. My brain doesn’t work that way. I’m so glad yours does, and I agree that you’re just getting better and better.

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    4. Thanks so much - Vickie :)

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  3. Stone

    Stone. It’s only stone.
    A rock. Grit. Edgy as hell.
    It can’t roll unless you push it.
    It won’t stick unless you make it.

    Here it lies beneath the beat rain
    etching words, pictures drawn,
    sunken stick forms, the unrequited.

    We measure ourselves against things
    when we don’t ever need to.

    Shadows are, and shadows become,
    as light moves and breathes and eels,
    yet the stone will always be.


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    1. If Sisyphus was a beatnik 😉 JD

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  4. Hollows

    He guards the hidden hollows,
    cobwebbed snags in window frames,
    corners asleep in the acreage,
    where the hundreds came and went.

    We sit in the dugout fireplace,
    smell the scarlet wave of ember leaves
    and disappear into the missing edges,
    the past sneaking out of dank walls.

    Shadows hunt without guile.
    We are the mirrors of our histories,
    mortality sunk, a-spiral in the smoke
    perspiring through covert echoes.

    They say it will snow, cover every track,
    dents and ingress, the expedient,
    and we grow old imagining how
    to weather this frigid earth.

    He makes his presence known sometimes,
    lays heavy on our silent shoulders
    not quite broad enough to take
    the weight of his fate.

    In the winter we raise a crimson toast,
    remember, trace the date full back
    a hundred years now spent.
    A twist in the past, a fork in the road.


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    1. Each verse weighs more heavily than the last, like a really good ghost story.

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    2. Such cool imagery in this one! JD

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  5. “Dear diary, today nothing awful happened.”

    Days we can say that are okay days. Days like today when the worst that happened was the squabbling of ravens in the treetops. Unlike yesterday when a sound from behind Wolf Mountain momentarily quickened your heart beat. The sensation of something staggering to its feet… and selecting. Targeting. Glitching.

    Your mother, boarding, grips your hand, like she knows.

    You recall all this, the world’s contrasts:

    Fruit stands in a scorched land where even the wasps curl up in defeat.

    Cold malnourished things outside colder walls. Wanting in.

    A sound, a shear, a lurch, the sudden change in pitch.

    A hundred people breathe in, shakily. Oddly, no one screams. One small child cries out, in a dream. But for the hundred or so clutching their armrests, lawyers and loggers and lovers, this is no dream. Through windows like portholes, the world yaws and rolls and comes blistering to greet them. To greet you.

    Your mother, in a pale and godless voice, says, “Now it’s all over.”

    ***

    So sing for me.

    ***

    Play songs of road trips, don’t let me
    Take only sips, but yeah let me

    Grasp your snake hips, you can’t fault me,
    Lick your full lips, uh, they’re salty.

    Dreaming of this, almost telling me,
    Belief in two slips ain’t no felony.

    ***

    Hey, hey, stop. Enough. You knew this day was coming. Shhh. Don’t fret. Isn’t it better to lose the cowl of anxiety and know your fate is no longer conjecture?

    The man with the haircut and cattle bolt, the cannibal shrink, the dancing albino giant with the tiny hands, these and more were not me but my emissaries. Oh, how they wished.

    But I’m here now.

    You have the look of spit smeared on a sidewalk. Once shiny, now drying, like a life begun yet unlived. Take this chance, your very last. Take it.

    Your scars are relief maps of your past. Retrace them.

    Make of the world’s tender fury your art; capture it, let it breathe.

    ***

    Once we gathered in the city, and we attended the opening of the gallery, the book in my jacket pocket heavier than heaven. Kurt would have laughed his scrawny ass off. I tried to explain myself, but alcohol had lashed my lips to my teeth. I don’t remember how we lost each other, but I do recall wandering the early hours in arterial rows and faking my own death. When the sun began to tease its rebirth, dim grey peach over the mainland, I could hear children in boxlike homes chewing on Frosted Flakes and wishing they had wings.

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    1. David, I've missed your writing. Such great rhythm. Thank you.

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    2. Me too! I really like this piece a lot - it created such a sense of anxiety in me. Swirls around the places you’ve written about that we know emotionally… really powerful writing man JD

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  6. JD, when you write like this it makes me concerned for you. I hope it's just your way of shedding darkness.

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    1. I try to write for people who suffer silently. I’m not one of them anymore tho. <3

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  7. Nobody was waiting for Daisy when the only flight she could find out of New York landed her in Chicago, with no promise of transportation after that. No “welcome home” banners like in other wars she’d read about in school, where returning soldiers were treated with something like respect.

    There was just a shell of an airport, half the runways cratered by bombs. She supposed she should be lucky she got this far. Now she had to find her own way home. Quickly she gleaned that reports from her old boss in Intelligence were true—public transportation was spotty at best. The train station was inoperable; the major interstates closed in parts where the damage had been too great. Repairs were happening, but it was a long, slow slog as the “provisional congress” fought about who should pay for what. Turns out that rebuilding a country’s infrastructure was a lot harder than destroying it. Who knew?

    At least in places there was electricity again, and some of the oil refineries were coming back online, which meant there was the occasional trucker she could flag for a ride, for as far as the driver was willing or able to go.

    Then she’d walk until the next opportunity came up.

    She did a lot of walking. And when she finally came to the familiar neighborhood and the familiar street, something like dread crept up her chest and fanned out through both arms.

    But the tiny ranch-style house was still there. And someone in the house lifted back a curtain then let it fall then raced to the door and shot out and they met halfway in a hug. “Momma,” she murmured, her breath near squeezed out of her by her mother’s arms, iron-hardened from decades of work—in factories, in warehouses, in her own house—and then those arms fell. The women separated, taking measure of each other. Her mother’s face softened. The years drifted away and Daisy was sixteen again, leaving home after an argument, one that left her mother’s face in that same arrangement. Not quite anger but disbelief. Like she couldn’t believe her daughter had come home.

    “Can’t stay here,” Momma said, and Daisy’s mouth rounded with surprise. “Ain’t safe.”

    “But Momma. The war’s over.” In fact she’d been part of the underground operation that had led to that end.

    “Don’t matter. They know what side you fought on,” she said. Looking like she wished she had a cigarette.

    It landed like a punch in the gut. Her mother’s face went soft again. “Okay. Clean up and I’ll feed you, but you’d best be on your way in the morning.”

    Intelligence hadn’t told Daisy about this. That while the war might have been over in New York, it was still going on in Nebraska. But now it was a quieter conflict. Now the losers were out for revenge. It was a good thing she knew how to fight. Looking straight into her mother’s eyes, she nodded once, then followed her into the house.

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    1. Ominous. I watched Alex Garland's Civil War recently, which was much better than I expected. I really like observational writing such as "something like dread crept up her chest and fanned out through both arms."

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    2. Really impressed with the way you built the tension. Super effective. JD

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  8. APPLES

    The local orchard lets you pick your own—an attractive upstate outing for suburban families. Bring a bag, climb a tree, snap the rosy apples at their stems, get hot cider and a donut and say you’ve been in the country. These are almost always the best apples, but you haven’t climbed a tree in years. Not even to show off and whimper about it later. There are pre-picked wicker baskets on the counter for those disinclined to climb, but you don’t like the look of them. They have mushy spots like they’ve been harvested from the ground. So they give you a big stick with a clamp on the end. Kids glare at you like you’re cheating. You try to counteract this by picking a few for them, and you become their new best friend until the parents call them off, giving you dirty looks.

    The farmers market with the cutesy name has a dozen local varieties in faux-stylish aged barnwood bins—tart little McIntosh, too-sweet Gala, classic Empires, Honeycrisps as a big as softballs. No sticks required for this mission. They’re from the same orchard doing pick-your-own but they charge a shit ton more. You wonder how much of their cut goes to making the place look like something out of Town and Country. You wonder how many of the shoppers are weekenders and how many are just in here on a Saturday to get a few things before they have to pick the kids up from music lessons and soccer practice.

    The supermarkets pile up precarious pyramids of five-pound paper tote bags marked with their names and the orchards where they’d grown. It’s not fussy and charming, but it gets the job done and it’s only a few cents more per pound than the orchard. Everyone is local here, and you know they’re going home to make pies and applesauce and whatever. You pass a woman you know, her cart half filled with paper totes, and you stop for a moment to catch up. She runs a small bakery in town. She’s going home to make the apple cakes and muffins that always sell out at the cutesy-named farmer’s market and the pick-your-own orchard. And as you part, you smile to yourself, enjoying the image of the completed economic circle. It’s shaped like an apple.

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    1. I really loved this one. My grandparents lived in a town where apples were king. You’ve got me wanting apple butter now. I don’t even think they sell that in California. lol JD

      LOVE THE LAST LINE

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